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  • Record/Vinyl

    Get the new disc on virgin vinyl (limited edition run of 300).

    Includes unlimited streaming of Baby Hawk (Part III of III) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 300 

     $19.99 USD

     

  • T-Shirt/Apparel

    Short run of RAD tees printed on Alternative Apparel organic cotton super-soft men's crew. Black with white graphic.

    Includes unlimited streaming of Baby Hawk (Part III of III) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 20 

     $19.99 USD

     

  • Black and white two-tone cotton trucker hat. Classic trucker hat shape. 100% polyester.

    Includes unlimited streaming of Baby Hawk (Part III of III) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 10 

     $9.99 USD

     

about

Recorded by Rademacher (twitter.com/whoisrad) at The Cave Studios (twitter.com/cavestudiola) in Los Angeles, CA.

lyrics

Found some tracks in the snow, thought I'd follow them as far as I could. As far as I could go.

I got lost. I crossed over, under and through.

Set a course for the moon, said goodbye to my friends. Everything flew end over end. I was star-crossed and weightless.

I got lost. I crossed over, under and through.

credits

from Baby Hawk (Part III of III), track released March 6, 2012
Produced by Josiah Mazzaschi (twitter.com/Josiahfm), Kim Haden (twitter.com/kim_haden) and Malcolm Sosa (twitter.com/malcolmsosa)

Engineered and mixed by Josiah Mazzaschi

Malcolm Sosa:- Bass, Acoustic Guitar, Grüvtron (twitter.com/soundtrends), Vocals
Kim Haden:- Animoog (twitter.com/MoogMusicinc), Pulsate (twitter.com/audiotool), Vocals
Jon Hadden:- Electric Guitar
Mike Walker:- Drums
Daniel Brummel:- Percussion

Written and composed by Malcolm Sosa

Published by Rademacher Music (ASCAP)

tags

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about

Rademacher California

At turns wry and censorious, Rademacher uses its rough-hewn indie rock — barbed-wire guitars, funhouse keyboard lines, Mancillas’ shout-sung vocals — to dissect what it’s like to make rough-hewn indie rock.

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